Klipsch kg 4.2 audiophile
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The subtle transient attacks, the delicate long reverb tails, the subtle clicking of rotary valves - it's all there, including tremendous dynamic range. The resulting recorded sound wonderfully captures the warmth and power of live brass in a reverberant space, especially when played back using a large tube amp and accurate high-end speakers (that many studios use for mixing and mastering). I used a single pair of ribbon mics (ORTF, 7' feet away from the front of the ensemble, 9' high). Last night I recorded a five piece brass ensemble in a 150 year old large stone church. A powerful inexpensive SS QSC amp is not the way to accomplish this. Many prefer the sound of live unamplified acoustic instruments.
KLIPSCH KG 4.2 AUDIOPHILE MOVIE
Many of us do not want to recreate the sound of a movie theater in our homes, nor do we want everything to sound like a loud amplified electronic band performing at a live event. Movie theatres, live events, power to create the sound. Never heard a live concert that worked with a 10 watt amp. No amount of maigc connectors etc will replace the power to move air when needed. Well there is, restricted muffled, lifless sound when there is not enough power to move the speakers when called on to do it. It worked years ago on smaller systems using 70's technology speakers and amps, it works in the 21st century. If you want detail and clarity, and be able to keep bass notes from turing to mud, while trying to keep the sparkel in teh cymbals and the resonance of a fine Gibson wailing away, it takes watts, to keep it clean, otherwise it becomes a muddy blurr. Never heard a live concert that worked with a 10 watt amp, and filled a place with un restrained sound.
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More watts better control, more open spaciaous sound. Use the same amps Whether some grossly overpriced 10w magic tube amps, or cheap QSC work horses. Use any brand amps, and speakers.more watts better sound.
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Not talking brands, talking basic sound reproduction facts.